Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Andrea Mantegna 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
81877 3rd third of 15th century Andrea Mantegna 3rd third of 15th century Oil on canvas Dimensions Deutsch: 136 x 114 cm cyf
42264 A Bacchanal with silengus Andrea Mantegna A Bacchanal with silengus mk168 298x435mm
42263 A Bacchanal with Silenus Andrea Mantegna A Bacchanal with Silenus mk168 Engraving 292x448mm
2717 Adoration of the Magi Andrea Mantegna Adoration of the Magi Galleria degli Uffizi, Florence
30423 Adoration of the Magi Andrea Mantegna Adoration of the Magi mk68 Tempera on wood Florence,Uffizi.
94652 Adoration of the Magi Andrea Mantegna Adoration of the Magi 1462 Type Tempera on panel Dimensions 76 cm x 76.5 cm (30 in x 30.1 in) cyf
41271 Adoration of the Shepherds Andrea Mantegna Adoration of the Shepherds mk161 Tempera on canvas transferred from wood
40216 Agony in the Garden Andrea Mantegna Agony in the Garden mk156 c.1459 Oil on panel Musee des Beaux-Arts de Tours. Tours
21234 Agony in the Garden (mk08) Andrea Mantegna Agony in the Garden (mk08) c.1460 Tempera on wood 63x80cm London,National Gallery
94651 Bernardino of Siena between Two Angels Andrea Mantegna Bernardino of Siena between Two Angels 1460 Type Tempera on canvas Dimensions 385 cm x 220 cm (152 in x 87 in) cyf
50866 Caesar-s Chariot Andrea Mantegna Caesar-s Chariot mk216 Caesar-s Chariot rom the triumph of caesar Mantegna was the most important 15-century North Italian painter and the Triumph of Caesar may well be his masterpiece Even Today
20074 Calvary (mk05) Andrea Mantegna Calvary (mk05) 1457-60 Wood,30 x 38''(76 x 96 cm)Center of the predella painted for the Church of San Zeno in Verona;entered he Louvre in 1798
2728 Camera degli Sposi Andrea Mantegna Camera degli Sposi 1474 Palazzo Ducale, Mantua, Italy
2731 Camera degli Sposi Andrea Mantegna Camera degli Sposi 1474 Palazzo Ducale, Mantua, Italy
40222 Camera Picta,Ducal Palace Andrea Mantegna Camera Picta,Ducal Palace mk156 1465-1474 Fresco Palazzo Ducale Mantova
88786 Ceiling decoration Andrea Mantegna Ceiling decoration between 1465(1465) and 1474(1474) Medium Walnut oil on plaster and fresco cyf
30433 Ceiling Oculus Andrea Mantegna Ceiling Oculus mk68 Fresco,diameter of central part Mantua Ducal Palace Camera Picta
53701 Christ in Gethsemane Andrea Mantegna Christ in Gethsemane mk234 about 1460 63x81cm
2725 Christ the Redeemer Andrea Mantegna Christ the Redeemer Congregazione di Carita, Correggio
83254 Christ Welcoming the Virgin in Heaven Andrea Mantegna Christ Welcoming the Virgin in Heaven Date between 1460(1460) and 1464(1464) Medium Oil on wood cjr
78127 Christus als Schmerzensmann Andrea Mantegna Christus als Schmerzensmann 1489 Oil on panel 83 x 51 cm cjr
81464 Christus als Schmerzensmann Andrea Mantegna Christus als Schmerzensmann 1489 Medium Oil on panel Dimensions 83 x 51 cm cyf
30424 Crucifixion,from the San Zeno Altarpiece Andrea Mantegna Crucifixion,from the San Zeno Altarpiece mk68 Tempera on wood 26 1/2x36 1/2 Paris. Louvre
79068 Dalia und Samson Andrea Mantegna Dalia und Samson 1495 Oil on canvas 47 x 37 cm cjr
42510 De died Christ Andrea Mantegna De died Christ m k169 after 1466. Tempered on cloth 67.9x81cm Pinacoteca Tue Brera, Milan
21235 Dead Christ (mk08) Andrea Mantegna Dead Christ (mk08) Tempera on canvas 66x81cm Milan,Pinacoteca di Brera
40204 Death of the Virgin Andrea Mantegna Death of the Virgin mk156 c.1461 Oil on panel 54x42cm
84678 Death of the Virgin Andrea Mantegna Death of the Virgin Date between 1460(1460) and 1464(1464) Medium Oil on wood cjr
88578 Death of the Virgin Andrea Mantegna Death of the Virgin between 1460(1460) and 1464(1464) Medium Oil on wood cyf
51716 Detail of Ceiling from the Camera degli Sposi Andrea Mantegna Detail of Ceiling from the Camera degli Sposi nn09 c.1474
42902 Detail of The Agony in the Garden Andrea Mantegna Detail of The Agony in the Garden mk170
59749 Detail of the frescoes in the Camera degli Sposi in the Palazzo Ducale in Mantua Andrea Mantegna Detail of the frescoes in the Camera degli Sposi in the Palazzo Ducale in Mantua Detail of the frescoes in the Camera degli Sposi in the Palazzo Ducale in Mantua
55985 ecce homo Andrea Mantegna ecce homo mk247 c.1500,tempera on canvas,21.25x16.5 in,54x42 cm,musee jacquemart-andre,paris,france
30430 Family and Court of Ludovico Gonzaga Andrea Mantegna Family and Court of Ludovico Gonzaga mk68 Fresco Mantua, Ducal Palace,Camera Picta 1465-1474 ltaly
30438 Foreshortened Christ Andrea Mantegna Foreshortened Christ mk68 Tempera on canvas 26 3/4x32" Milan,Brera Gallery c.1480
73332 Freskenzyklus in der Camera degli Sposi im Palazzo Ducale in Mantua, Szene: Zusammentreffen von Herzog Ludovico Gonzaga mit Kardinal Francesco Gonzaga Andrea Mantegna Freskenzyklus in der Camera degli Sposi im Palazzo Ducale in Mantua, Szene: Zusammentreffen von Herzog Ludovico Gonzaga mit Kardinal Francesco Gonzaga Freskenzyklus in der Camera degli Sposi im Palazzo Ducale in Mantua, Szene: Zusammentreffen von Herzog Ludovico Gonzaga mit Kardinal Francesco Gonzaga, Detail: Francesco und Sigismondo Gonzaga, Söhne des Kardinal Francesco Gonzaga. cjr
97361 Grotesque self portrait Andrea Mantegna Grotesque self portrait between 1465(1465) and 1474(1474) Medium Walnut oil on plaster cyf
87992 Grotesque self-portrait Andrea Mantegna Grotesque self-portrait between 1465(1465) and 1474 cyf
78435 Hl. Familie mit Hl Andrea Mantegna Hl. Familie mit Hl Oil on canvas Dimensions 75 x 61 cm cyf
76551 Hl. Familie mit Hl. Elisabeth und Johannesknaben Andrea Mantegna Hl. Familie mit Hl. Elisabeth und Johannesknaben Oil on canvas 75 ?? 61 cm cjr
42265 Innsbruck Seen From the North Andrea Mantegna Innsbruck Seen From the North mk168 127x187mm
87993 Inscription with Putti Andrea Mantegna Inscription with Putti between 1465(1465) and 1474 cyf
87994 Inscription with Putti Andrea Mantegna Inscription with Putti between 1465(1465) and 1474 cyf
42272 Island Abode Andrea Mantegna Island Abode mk168 213x225mm London British Museum
53700 Judit with Holofernes-head Andrea Mantegna Judit with Holofernes-head mk234 about 1495 30x18cm
2722 Judith and Holofernes Andrea Mantegna Judith and Holofernes 1495-1500 The National Gallery of Ireland, Dublin
2723 Judith and Holofernes Andrea Mantegna Judith and Holofernes 1495-1500 The National Gallery of Ireland, Dublin
91533 Judith with the head of Holofernes Andrea Mantegna Judith with the head of Holofernes 1495(1495) Medium oil on panel cyf
56629 klagan over den dode kristus Andrea Mantegna klagan over den dode kristus mk248 mantegna bar ramat in ett begransat rum pa ett satt som rent arkitektoniskt definierar det som ett barbus ocb sin erfarenbet av klassiska modeller frmedelar ban genom kristusgestalten en imponerande strambet. hans masterliga forminskning gor ocksa att betraktaren uppmarksammar de genomborrade fotterna, oavsett ur vilken vinken vinkel verket betraktas. malade fran mantegnas modeller av vikt papper ocb fastklistrat tyg.
42266 Landscape near Segonzano in the Cembra Valley Andrea Mantegna Landscape near Segonzano in the Cembra Valley mk168 Watercolor on paper 210x312mm
56628 ludovico ii gonzag moter sin son Andrea Mantegna ludovico ii gonzag moter sin son mk248 freskernarna i camera degli sposi i bertigpalatset i mantua ar slaende exempel pa 1400-tllusionism.
2718 Madonna and Child Andrea Mantegna Madonna and Child 1506 Galleria degli Uffizi, Florence
29794 Madonna and Child Andrea Mantegna Madonna and Child mk67 Tempera and panel 11 7/8x8 7/16in Uffizi,Gallery
40255 Madonna and child Andrea Mantegna Madonna and child mk156 1485 Oil on panel 29x21.5cm
2733 Madonna and Child with Cherubs Andrea Mantegna Madonna and Child with Cherubs Pinacoteca di Brera
78781 Madonna mit Hl. Maria Magdalena und Hl. Johannes dem Taufer Andrea Mantegna Madonna mit Hl. Maria Magdalena und Hl. Johannes dem Taufer 3rd third of 15th century Oil on canvas 136 x 114 cm cjr
2724 Madonna of Victory Andrea Mantegna Madonna of Victory Musee du Louvre, Paris
53699 Mansportratt Andrea Mantegna Mansportratt mk234 probably about 1460 24x19cm
85322 Maria mit Kind und Engeln Andrea Mantegna Maria mit Kind und Engeln Date 1485 Medium Oil on panel Dimensions Deutsch: 88 x 71 cm cjr
89529 Maria mit Kind und Engeln Andrea Mantegna Maria mit Kind und Engeln 1485 Medium oil on panel Dimensions Deutsch: 88 x 71 cm cyf
20086 Mars and Venus Known as Parnassus (mk05) Andrea Mantegna Mars and Venus Known as Parnassus (mk05) Painted like the following six pictures,for the studio of Isabella d'Este in the Ducal Palace at Mantua Canvas,62 1/2 x 751/2''(159 x 192 cm).Entered the Louvre in 18001
58331 Medici portrait Andrea Mantegna Medici portrait mk261 Florence in 1466 egg tempera of wood 41.3 x 29.5 cm
20087 Minerva Chases the Vices from the Garden f Virtue (mk05) Andrea Mantegna Minerva Chases the Vices from the Garden f Virtue (mk05) ca 1502 Canvas 63 x 75 1/2\'\'(160 x 192 cm)Entered the Louvre in 1801
44857 Parnassus Andrea Mantegna Parnassus mk176 c.1490 Oil on canvas 63.5x75.37in
2729 Portrait of a Man aaa Andrea Mantegna Portrait of a Man aaa 1460 National Gallery of Art, Washington DC
30429 Portrait of Cardinal de'Medici Andrea Mantegna Portrait of Cardinal de'Medici mk68 Tempera on wood 16x11 1/2 Florence,Uffizi, c.1466 ltaly
21195 Portrait of Cardinal Lodovico Trevisano (mk08) Andrea Mantegna Portrait of Cardinal Lodovico Trevisano (mk08) c.1459-1469 Tempera on wood 44x33cm Berlin,Gemaldegalerie,Staatliche Museenzu Berlin-Preubische Kulturbesitz
40220 Portrait of Carlo de Medici Andrea Mantegna Portrait of Carlo de Medici mk156 1467 Oil on panel 40.6x29.5cm
29792 Portrait of Carlo de'Medici Andrea Mantegna Portrait of Carlo de'Medici mk67 Tempera on panel 16x11 7/16in Uffizi,Gallery
2719 Portrait of the Protonary Carlo de Medici Andrea Mantegna Portrait of the Protonary Carlo de Medici 1459-66 Galleria degli Uffizi, Florence
2732 Presentation at the Temple Andrea Mantegna Presentation at the Temple Gemaldegalerie, Berlin
51717 Putti Holding Dedicatory Tablet Andrea Mantegna Putti Holding Dedicatory Tablet nn09 c.1474 Fresco
2720 Samson and Delilah Andrea Mantegna Samson and Delilah National Gallery, London
68140 San Girolamo nel Deserto Andrea Mantegna San Girolamo nel Deserto Year from 1448(1448) until 1451(1451) (from 1450(1450) until 1451(1451)?) Technique Tempera on panel Dimensions 48 X 36 cm
59747 San Luca Altarpiece Andrea Mantegna San Luca Altarpiece San Luca Altarpiece, 1453; Tempera on panel; Pinacoteca di Brera, Milan
59748 San Zeno Altarpiece, Andrea Mantegna San Zeno Altarpiece, San Zeno Altarpiece, (central panel), 1457-60; San Zeno, Verona
20079 Sebastian Andrea Mantegna Sebastian ca 1480 canvas,100 1/2 x 55''(255 x 140 cm)Entered the Louvre in 1910
38490 Servant with horse and dog Andrea Mantegna Servant with horse and dog mk137 1471-1474 fresco Camera Picta, Palazzo Ducale, Mantua
39582 St Sebastian Andrea Mantegna St Sebastian mk150 c.1459
42633 St. Sebastiaan Andrea Mantegna St. Sebastiaan MK169 ca. 1460 Panel 68x30cm Kunsthistorisches Museum, Weep
2721 St.Sebastian Andrea Mantegna St.Sebastian 1459-60 Art History Museum, Vienna
41192 St.Sebastian Andrea Mantegna St.Sebastian mk157 1504-6 Canvas 210x91cm
84148 Suite of Cardinal Francesco Andrea Mantegna Suite of Cardinal Francesco Date between 1465(1465) and 1474(1474) Medium Walnut oil on plaster cjr
87990 Suite of Cardinal Francesco Andrea Mantegna Suite of Cardinal Francesco between 1465(1465) and 1474 cyf
87991 Suite of Cardinal Francesco Andrea Mantegna Suite of Cardinal Francesco between 1465(1465) and 1474 cyf
38455 The adoration of the Konige Andrea Mantegna The adoration of the Konige mk137 ca.1497-1500 Tempera and gold on linen 54.6x70cm
2730 The Agony in the Garden Andrea Mantegna The Agony in the Garden 1460 National Gallery, London
42901 The Agony in the Garden Andrea Mantegna The Agony in the Garden mk170 Circa 1460 Tempera on wood 62.9x80cm
59746 The Agony in the Garden Andrea Mantegna The Agony in the Garden The Agony in the Garden (right panel of the predella of the San Zeno Altarpiece, 1455) National Gallery, London is the pinnacle of Mantegna's early style.
23365 The Agony in the Garden (nn03) Andrea Mantegna The Agony in the Garden (nn03) c 1460 Tempera on panel 63 x 0 cm 24 3/4 x 31 1/2 in National Gallery London
42269 The Battle of the Sea God with the initial of the artist and the date Andrea Mantegna The Battle of the Sea God with the initial of the artist and the date mk168 1494 Pen and ink on paper 292x382mm
42267 The Battle of the Sea Gods Andrea Mantegna The Battle of the Sea Gods mk168 Engraving in two parts 313x438mm
42271 The Castle and Town of Arco Andrea Mantegna The Castle and Town of Arco mk168 Watercolor and body color on paper 223x222mm
85842 The Court of Gonzaga Andrea Mantegna The Court of Gonzaga Date between 1465(1465) and 1474(1474) Medium Walnut oil on plaster Dimensions Height: 805 cm (316.9 in). Width: 807 cm (317.7 in). cjr
88001 The Court of Gonzaga Andrea Mantegna The Court of Gonzaga Date between 1465(1465) and 1474 cyf
88002 The Court of Gonzaga Andrea Mantegna The Court of Gonzaga Date between 1465(1465) and 1474 cyf
88003 The Court of Gonzaga Andrea Mantegna The Court of Gonzaga Date between 1465(1465) and 1474 cyf
88004 The Court of Gonzaga Andrea Mantegna The Court of Gonzaga Date between 1465(1465) and 1474 cyf
88005 The Court of Gonzaga Andrea Mantegna The Court of Gonzaga Date between 1465(1465) and 1474 cyf
88006 The Court of Gonzaga Andrea Mantegna The Court of Gonzaga Date between 1465(1465) and 1474(1474) cyf
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Andrea Mantegna
Italian 1431-1506 Andrea Mantegna Locations Mantegna was born in Isola di Carturo, close to Padua in the Republic of Venice, second son of a carpenter, Biagio. At the age of eleven he became the apprentice of Francesco Squarcione, Paduan painter. Squarcione, whose original vocation was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was something of a fanatic for ancient Rome: he travelled in Italy, and perhaps Greece, amassing antique statues, reliefs, vases, etc., forming a collection of such works, then making drawings from them himself, and throwing open his stores for others to study. All the while, he continued undertaking works on commission for which his pupils no less than himself were made available. San Zeno Altarpiece, (left panel), 1457-60; San Zeno, VeronaAs many as 137 painters and pictorial students passed through Squarcine's school, which had been established towards 1440 and which became famous all over Italy. Padua was attractive for artists coming not only from Veneto but also from Tuscany, such as Paolo Uccello, Filippo Lippi and Donatello. Mantegna's early career was shaped indeed by impressions of Florentine works. At the time, Mantegna was said to be a favorite pupil; Squarcione taught him the Latin language, and instructed him to study fragments of Roman sculpture. The master also preferred forced perspective, the lingering results of which may account for some Mantegna's later innovations. However, at the age of seventeen, Mantegna separated himself from Squarcione. He later claimed that Squarcione had profited from his work without paying the rights. His first work, now lost, was an altarpiece for the church of Santa Sofia in 1448. The same year Mantegna was called, together with Nicol?? Pizolo, to work with a large group of painters entrusted with the decoration of the Ovetari Chapel in the apse of the church of Eremitani. It is probable, however, that before this time some of the pupils of Squarcione, including Mantegna, had already begun the series of frescoes in the chapel of S. Cristoforo, in the church of Sant'Agostino degli Eremitani, today considered his masterpiece. After a series of coincidences, Mantegna finished most of the work alone, though Ansuino, who collaborated with Mantegna in the Ovetari Chapel, brought his style in the Forl?? school of painting. The now censorious Squarcione carped about the earlier works of this series, illustrating the life of St James; he said the figures were like men of stone, and had better have been colored stone-color at once. This series was almost entirely lost in the 1944 Allied bombings of Padua. The most dramatic work of the fresco cycle was the work set in the worm's-eye view perspective, St. James Led to His Execution. (For an example of Mantegna's use of a lowered view point, see the image at right of Saints Peter and Paul; though much less dramatic in its perspective that the St. James picture, the San Zeno altarpiece was done shortly after the St. James cycle was finished, and uses many of the same techniques, including the classicizing architectural structure.) San Luca Altarpiece, 1453; Tempera on panel; Pinacoteca di Brera, MilanThe sketch of the St. Stephen fresco survived and is the earliest known preliminary sketch which still exists to compare to the corresponding fresco. Despite the authentic look of the monument, it is not a copy of any known Roman structure. Mantegna also adopted the wet drapery patterns of the Romans, who derived the form from the Greek invention, for the clothing of his figures, although the tense figures and interactions are derived from Donatello. The drawing shows proof that nude figures were used in the conception of works during the Early Renaissance. In the preliminary sketch, the perspective is less developed and closer to a more average viewpoint however. Among the other early Mantegna frescoes are the two saints over the entrance porch of the church of Sant'Antonio in Padua, 1452, and an altarpiece of St. Luke and other saints (at left) for the church of S. Giustina, now in the Brera Gallery in Milan (1453). As the young artist progressed in his work, he came under the influence of Jacopo Bellini, father of the celebrated painters Giovanni and Gentile, and of a daughter Nicolosia. In 1453 Jacopo consented to a marriage between Nicolosia to Mantegna in marriage.
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